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ENJOY WATCHING THIS MOVIE GUYSBaby Driver is the latest actioncrime flick from Edgar Wright starring a hefty and talented cast that boasts a huge breath of refreshing air in a summer filled with mostly underwhelming blockbusters. This is definitely a fun film anyone of any demographic can have a good time with seeing as how to juggles all these different genres in a balanced way. Where the film succeeds the most is style and tone. The feel of this movie is consistent throughout its runtime and never tries to be anything than its not. Musical elements are utilized to its fullest capacity by creating an almost music video vibe that strangely never becomes annoying but rather helps tell the story and engage the audience. Every scene with every piece of music feels completely intentional and never feels misplaced which gives the script and the talented cast room to shine their brightest. Fans of well developed characters and solid plot writing will find little to complain about this as well. Despite this being a straightforward crimeaction flick, characters are well flushed out and the story itself is gripping to the point where you cant take your eyes off the screen. With the exception of one character decision that didnt get enough set up or pay off, every character is believable and portrayed wonderfully. The only restraints one might have with this movie is its unoriginality in its main character arc. If the viewer has seen enough crime films theyll know or at least can predict how itll go and turn out for our hero. It also lacked some character pay off as mentioned before which can take a few people out of the movie. That being said, its execution feels so fresh that its easy to forget youre watching a film youve seen before. Even after viewing, it still feels fresh and deserving of another viewing because of how much fun and care went into making this picture. Going into Baby Driver, I had lowish expectations. I could not have been more wrong. Probably the best action film of 2. Edgar Wright known for Shaun of the Dead and Hot Fuzz delivers a well blended film that incorporates very well spaced action and romance, with just a hit of comedy. Baby Ansel Elgort is a lovable and approachable character, whos obsession with music has you tapping your foot along with the stellar tune he plays along the ride. Action seems to be pretty much grounded to the laws of physics in this film, and even though theres a hearty dose of it, audience members will leave the theater wishing there was more in the film. Baby Driver falls perfectly in line with Wrights previous films in style, but offers a bit more in dramatic tone and a little less in comedy. The film still has plenty of funny moments, but it depicts a slight change in direction for him and one that hopefully opens more doors for original films. Baby, thats B A B Y, is the getaway driver for a wealthy criminal, Doc, who plots out the heists and never uses the same crew twice. Baby insists he is done after one last job, but Doc is willing to threaten the lives of the people Baby loves, including his new waitress girlfriend Debora, if he doesnt pull one more stunt. Going into a Wright film, you have a sense of what to expect. Hot Fuzz was a parody of action films to the point where a simple moment of putting on your jacket was made to look like a chaotic action sequence. With Baby Driver, Wright continues this style, but squarely plants the film itself into that world that Hot Fuzz was parodying. This is done with self awareness though, and never becomes a problem. Instead, it highlights the originality of the film and the world Wright has created. Its a heightened reality and music plays an important role in it. To the point where it feels more like a love letter to music than heist films. This is even more apparent when you realize that we never really get to see the heists. We stay with Baby in the car and subvert those expectations. We are with Baby and his music the whole way. As I said earlier, music is important to this film and ever aspect of it revolves around that. Camera work, action sequences, character movements, dialogue, plot devices, the list goes on. For something that important, the music should be good. Wright manages to explore enough genres to please most people and I found myself really digging the playlists. Music is Babys world and we live in it for 2 hours almost non stop. To the point where when there is no music playing, it feels out of place. I fully expect people to go out and buy the soundtrack and at no point did I feel as if any of it was forced, like Suicide Squad. I guess you want to know about the car chase sequences, those are thrilling for people looking for excitement. Wright gives us enough unique moments to make those memorable and its needed because car chases are a staple in Hollywood movies. You want to see something new and Baby Driver delivers enough of a spin to make it seems fresh. The film balances itself out with plenty of small quiet sequences that focus on character. Babys dedication to take care of his aging foster father is touching. They communicate through sign language, which adds another layer to the complicated character that is Baby. Then we have some tender moments with Baby and Debora. A love at first sight relationship that blooms due to charm, appreciation of music and the aspirations to just be on the open road. Baby Driver is stylish and charges to you at full speed. With the camera almost constantly moving, it never feels slow, even in those quiet moments. The cast nail their roles with just a hint of self awareness. Spacey can be intimidating in his sleep and Foxx has no problem playing someone with a few screw lose moments.