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It's All Coming Back to Me Now"It's All Coming Back to Me Now" is a power ballad written by Jim Steinman.[1] According to Steinman, the song was inspired by Wuthering Heights, and was an attempt to write "the most passionate, romantic song" he could ever create.[2]The Sunday Times posits that "Steinman protects his songs as if they were his children". Meat Loaf had wanted to record "It's All Coming Back.." for years, but Steinman saw it as a "woman's song." Steinman won a court movement preventing Meat Loaf from recording it.[3] Girl group Pandora's Box went on to record it and it was subsequently made famous through a cover by Celine Dion, which upset Meat Loaf because he was going to use it for a planned album with the working title Bat Out of Hell III.[4] Alternately, Meat Loaf has said the song was intended for Bat Out of Hell II and given to the singer in 1. Once Upon A Time Mad Hatter Episodes here. I'd Do Anything for Love (But I Won't Do That)" for Bat II, and save this song for Bat III.[4][5]The song has had three major releases.

The first version appeared on the concept album. Original Sin, recorded by Pandora's Box. It was then recorded by Celine Dion for her album Falling into You, and her version was a commercial hit, reaching No. U. S. Billboard Hot 1. No. 3 in the UK Singles Chart. Meat Loaf eventually recorded it as a duet with Norwegian singer Marion Raven for Bat III and released it as a single in 2. A music video was produced for each of the three versions; death is a recurring theme in all of these videos, fitting in with the suggestion in Virgin's press release for Original Sin that "in Steinman's songs, the dead come to life and the living are doomed to die."[6] This is particularly evident when the dead characters seem to be resurrected in the memories of the main vocalist.

Although in the case of Celine Dion's video, the theme is less about the living being doomed and more about a lost love. Inspiration[edit]Influenced by Emily Brontë's novel Wuthering Heights, Steinman compared the song to 'Heathcliff digging up Cathy's corpse and dancing with it in the cold moonlight'.[2] In the Jim Steinman Opens Pandora's Box promotional video, he says that the novel: is always made much too polite; it always has been in movies. This isn't the Wuthering Heights of Kate Bush - - that little fanciful Wuthering Heights. The scene they always cut out is the scene when Heathcliff digs up Catherine's body and dances in the moonlight and on the beach with it. I think you can't get much more operatic or passionate than that. I was trying to write a song about dead things coming to life. I was trying to write a song about being enslaved and obsessed by love, not just enchanted and happy with it.

It was about the dark side of love; about the ability to be resurrected by it.. I just tried to put everything I could into it, and I'm real proud of it.[7]In another interview, Steinman expands on his comments about the song being about the 'dark side of love'. It's about obsession, and that can be scary because you're not in control and you don't know where it's going to stop. It says that, at any point in somebody's life, when they loved somebody strongly enough and that person returns, a certain touch, a certain physical gesture can turn them from being defiant and disgusted with this person to being subservient again. And it's not just a pleasurable feeling that comes back, it's the complete terror and loss of control that comes back. And I think that's ultimately a great weapon.[2]The website Allmusic called the song 'a tormented ballad about romantic loss and regret built on a spooky yet heart- wrenching piano melody'.[8] The torment is present in the song's opening ('There were nights when the wind was so cold'), from which the singer recovers ('I finished crying in the instant that you left.. And I banished every memory you and I had ever made').

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Watch Wuthering Heights Online 1992

However, the defiance in the verses are replaced by the return of the 'subservient' feelings in the chorus ('when you touch me like this, and you hold me like that..'); this juxtaposition continues throughout the song.'There were those empty threats and hollow lies'And whenever you tried to hurt me'I just hurt you even worse and so much deeper.'Eroticism is implied in the lines 'There were nights of endless pleasure' and 'The flesh and the fantasies: all coming back to me'. The song ends with a passionate, quiet reprise of the chorus. Critics have also identified Wagner, of whom Steinman is an admirer, as an inspiration. Specifying this song, the Sunday Times said "the theme of Wagner's opera Tristan and Isolde, with its extreme passions and obsessive love, informs all his best work."[3]A 2. Toronto Star claims that the song was written as Steinman's "tryout" as lyricist for Andrew Lloyd Webber's Sunset Boulevard.[9]Pandora's Box[edit]In 1. Steinman produced a concept album, Original Sin, with an all- female group called Pandora's Box.

The album featured many tracks that would later be recorded by other artists, particularly Meat Loaf. Elaine Caswell was the lead vocalist for "It's All Coming Back To Me Now", who apparently collapsed five times during its recording.[6] Caswell has since performed the song as part of The Dream Engine at Joe's Pub in New York City.

For the track, Roy Bittan performed on the grand piano, with Steinman and Jeff Bova on keyboards. Guitars were by Eddie Martinez, with Steve Buslowe on bass guitar. Todd Rundgren arranged the background vocals, which were performed by Ellen Foley, Gina Taylor and Deliria Wilde.[1.

The song was released as a single in the United Kingdom during October 1. No. 5. 1 in the singles charts.[1. In its review of the album, Kerrang! Ken Russell directed the video, which was filmed at Pinewood Studios in Buckinghamshire.

Steinman wrote the script, based on Russell's "Nessun Dorma" segment in the compilation opera movie Aria.[1. Scholar Joseph Lanza describes the video: a woman's near- death experience [from a motorcycle crash] is set amid operatic excesses and black leather. In a simulated city engulfed by an apocalyptic blaze, British vocalist Elaine Caswell sings and participates in a ritual to celebrate the song's "nights of sacred pleasure".. The soundtstage] is stocked with gravestones, motorcycles, python and dancers (allegedly from the London production of Cats), strapped in chaps, studded bras, and spiked codpieces.[1. The girl, near death, is being ministered to by paramedics, fantasizing and being 'sexually aroused by a large python and writhing on a bed that lit up in time with the music, while surrounded by a group of bemused, semi- naked dancers'.[1. When Steinman's manager saw it, he responded 'It's a porno movie!'[1. Eavesdrop Full Movie Online Free. The two- day shoot ran over schedule and budget, costing £3.

Russell and Steinman even designed a sequence where a motorcyclist would cycle up the steps of a local church- tower, jump out of the turrets at the top, and then explode; alas, the wardens of the church refused permission.[1. The 7", 1. 2" and CD singles featured Steven Margoshes's piano solo "Pray Lewd" (containing elements of "It's All Coming Back to Me Now"), Steinman's monologue "I've Been Dreaming Up a Storm Lately", and "Requiem Metal", a sample from Verdi's.

Requiem Mass, all from the album Original Sin.[1. Celine Dion[edit]The song is the first on Dion's album Falling into You. Jim Steinman produced the track, with Steven Rinkoff and Roy Bittan as co- producers. Bat Out of Hell and Meat Loaf collaborators Todd Rundgren, Eric Troyer, Rory Dodd, Glen Burtnick and Kasim Sulton provided backing vocals. An edited version of the song was then released on Dion's album All the Way..

A Decade of Song. On Falling into You album the song's original length is seven minutes and thirty- seven seconds while on All the Way..

A Decade of Song it is only five minutes and thirty- one seconds. In 2. 00. 8, "It's All Coming Back to Me Now" was included on Dion's greatest hits compilation My Love: Essential Collection. Live performances can be found on the A New Day..